Filmmaker Michael Moore’s critique of capitalism is filled with respectful images and ideals from the Catholic Church, writes Tony Stevens-Arroyo in The Washington Post‘s column On Faith.
Stevens-Arroyo, a professor of Puerto Rican and Latino Studies at Brooklyn College and scholar at City University of New York, looks at Moore’s favorable light on his lived experience with Catholic priests, the human face Moore puts on those suffering under unjust economic structures, the solutions-oriented approach taken by Moore to structural sin, and the emphasis he puts on a vibrant democracy vs rapacious capitalism.
Here’s an excerpt:
Should Michael Moore be named “Catholic of the Year”? Some people love his films and some hate them: but his newest film, “Capitalism: A Love Story,” provokes such passion on either side that — on that count alone — it becomes a tribute to his skill as filmmaker. Avoiding a film review here, let me offer reasons for considering “Capitalism” a special kind of Catholic achievement. …
Admittedly, Moore’s style borders on buffoonery, but his message is nonetheless important. I admire the Catholic currents of social justice in this film. And just like the feast days of Halloween and All Saints Day follow each other in the calendar; maybe Michael Moore is “Clown of the Year” and “Catholic of the Year” at the same time.
Read the whole article here.