Pedro Casaldáliga’s Open Letter to Brother Romero

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Bishop Pedro Casaldaliga

In March 2005, I attended the 25th anniversary of the martyrdom of Archbishop Oscar Romero at the Jesuit Central American University [UCA] in San Salvador. Brazilian poet and bishop Pedro Casaldáliga was scheduled to attend, but was delayed due to illness. In his stead, he sent an “Open Letter to Brother Romero” to the gathering for the Week of Theological Reflection. It was read there by the famous little bishop of Chiapas, Mexico, Don Samuel Ruiz. Afterwards, I was invited to be on a small team that translated Casaldáliga “open letter” into English. They wanted a poet to help with Casaldáliga’s precise, rich poetic allusions. Below is his letter, with notes following:

OPEN LETTER TO BROTHER ROMERO FROM PEDRO CASADALIGA, IN BRAZIL:

I should be there with you… and I am: with my whole heart. You are very present in the thoughts of all of us in this small church of São Félix de Araguaia, my brother. I can see you in my own room, in the chapel of the patio, in our cathedral, in many communities, in the Sanctuary of the Mártires de la Caminada Latinoamericana. You are even present when a mango falls on my roof and I remember how your heart would lurch when the mangos fell on the tin roof of your little refuge at the Hospitalito.*

In the month of March in 1983, I wrote in my diary: I either can´t understand it at all, or I understand it all too well: the photograph of the martyred Monseñor Romero with Pope John Paul II, on some huge posters for the Pope’s visit was banned by the joint church-government commission in El Salvador. * The image of the martyr was painful. Naturally, it would bother a Government that was persecutor and assassin. It is also natural that it would be painful to a certain sector of the church. Sadly natural.

Well, anyway, once again this month of March, all of us here in this little corner of Mato Grosso, and throughout the Americas as well as around the world, many Christian men and women and also non Christians celebrate the martyrdom of Saint Romero, the good shepherd of Latin America. Your image comforts us; it commits us and unites us, like a deeply felt version of Jesus the Good Shepherd.

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Natasha Trethewey, New U.S. Poet Laureate

It always lifts my spirits when we announce a new national poet laureate. My sense is that Ms. Trethewey will take to the position like Robert Pinsky did when he launched the Favorite Poem Project. I love Trethewey’s line from “Kitchen Maid with Supper at Emmaus, or The Mulata“:

…She is echo
of Jesus at table, framed in the scene behind her:
his white corona, her white cap. Listening, she leans
into what she knows. …

Charles McGrath writes in The New York Times:

The Library of Congress is to announce Thursday that the next poet laureate is Natasha Trethewey, the Pulitzer Prize-winning author of three collections and a professor of creative writing at Emory University in Atlanta. Ms. Trethewey, 46, was born in Gulfport, Miss., and is the first Southerner to hold the post since Robert Penn Warren, the original laureate, and the first African-American since Rita Dove in 1993. “I’m still a little in disbelief,” Ms. Trethewey said on Monday.

Unlike the recent laureates W. S. Merwin and her immediate predecessor, Philip Levine, both in their 80s when appointed, Ms. Trethewey, who will officially take up her duties in September, is still in midcareer and not well-known outside poetry circles. Her work combines free verse with more traditional forms like the sonnet and the villanelle to explore memory and the racial legacy of America. Her fourth collection, “Thrall,” is scheduled to appear in the fall. She is also the author of a 2010 nonfiction book, “Beyond Katrina: A Meditation on the Mississippi Gulf Coast.”