Review: “Thomas Merton: A Life in Letters”

merton life in letters coverPatrick O’Connell over at The Merton Seasonal asked me to review Thomas Merton: A Life in Letters for the Spring 2009 magazine.

It was a great chance to exchange emails with two of the great Merton scholars and editors of Merton’s letters Bill Shannon and Christine Bochen. I was particularly interested in looking at the “American-ness” of Merton’s correspondence. Aside from the theological or spiritual content, I wondered how Merton’s letters fit in the genre of American literature.

Below is an excerpt from my review:

While it is necessary to place the letters in this collection in the context of Merton’s own life and in the context of Merton’s overall legacy, it is also important to examine Merton’s letter-writing art in the context of 20th-century American literature.

Literary sociologists David Barton and Nigel Hall argue in Letter Writing as a Social Practice that letter writing is a genre unto itself and deserves to be studied as enthusiastically as poetry or the novel. Additionally, they posit that “many contemporary genres have their origins in letters” (Barton and Hall, 4). The new research into letter writing raises several questions regarding Thomas Merton, who was, as Shannon and Bochen put it, “one of the most prolific and provocative letter writers of the twentieth century” (vii).

How will Merton be critiqued as a letter-writer per se? William Shannon said in the same personal e-mail that “Merton was an amazingly good letter-writer.” How will critics analyze Merton’s letter-writing genius as compared to his innovation and skill as a poet or his daring analysis as an essayist? British novelist, satirist, and literary critic Evelyn Waugh, who prepared the manuscript of Merton’s The Seven Storey Mountain for a British audience, so much admired Merton’s skill that he advised Merton to “put books aside and write serious letters and to make an art of it” (ix). Of course, Merton didn’t set book-writing aside, but he did continue over his life to perfect his letter-writing craft.

More importantly, are Merton’s letters derivative of his political essays, theological and monastic treatises, autobiographical writings, poetry, and intellectual critiques or, as Barton and Hall prompt, do all these genres have their genesis in Merton’s letters instead? Often the personal correspondence of a well-known personality are collected and published in order to provide enthusiasts with an “inside look” at the “personal” life that would otherwise be hidden. The publication of personal letters can have a tinge of voyeurism. I would argue that it is in Merton’s letters that we find the foundations of his published works. The letters show him testing ideas, crafting opinions, grounding his analysis, playing with images and phrasing, sorting and sifting the essential components of his life story. From this perspective, Merton’s letters (and journals) are the seedbed for his completed works in other genres, rather than the frosting on his “real” work.

Equally important in recognizing Merton’s brilliance in the genre of letter-writing is understanding the “American-ness” of Merton’s correspondence project. Elizabeth Hewitt, author of Correspondence and American Literature, 1770-1865 (Cambridge University Press, 2004), points out that in 1831 Alexis de Tocqueville remarked that the marvel of American political ideology was the seeming ability to strike a balance between individual liberty and a celebration of democratic principles (4). “Letters emphasize the singularity of a particular letter-writer,” writes Hewitt, “even as they strive to position the recipient in an idealized relationship with the writer. They emphasize solidarity and individualism at once,” and thus reconcile a balance of power that is fundamentally American.”

Read the whole essay: Thank You For Your LetterREVIEWFINAL

Personal, Prolific, Provocative: Thomas Merton’s Life in Letters

merton-life-in-letters-coverI was honored to be asked by Patrick O’Connell, Thomas Merton scholar and editor of the Merton Seasonal journal, to review a new collection of Merton’s personal letters titled Thomas Merton: A Life in Letters, published in 2008 by HarperOne. Below is the review for your reading pleasure.

Personal, Prolific, Provocative

by Rose Marie Berger

Esteemed Merton scholars Christine M. Bochen and William H. Shannon have again brought to bear their years of wisdom and insight into Thomas Merton—the man, monk, merry prankster, mystic, master poet, and writer—in crafting the essential epistolary collection Thomas Merton: A Life in Letters.

Carefully culling from the more than ten thousand letters archived at The Thomas Merton Center, Bochen and Shannon—who edited individually or together the previous five collections of Merton letters—have selected what they consider Merton’s “best letters” from January 2, 1942, when he was a novice at Gethsemani to November 1968, when he wrote his final letter from New Delhi, India.

The breadth and variety of Merton’s correspondents is staggering. Quite simply: He wrote to those who he was interested in learning from and he responded to many who were interested in him and his ideas. The constraints of monastic life and the sometimes ill-fitting gift of stability lent themselves to making out of Merton the prolific letter-writer he became. In this collection, one finds letters to American writer Henry Miller, Pope John XXIII, Nicaraguan journalist Pablo Antonio Cuadra and Nicaraguan president Somoza, American sixth-grader Susan Chapulis, Pakistani Sufi Abdul Aziz, Saturday Evening Post editor John Hunt, Ethel Kennedy, mayor of Hiroshima Shinzo Hamai, ecologist Rachel Carson, novelist James Baldwin, religious scholar Martin E. Marty, Coretta Scott King, beat poet Lawrence Ferlinghetti, feminist theologian Rosemary Radford Ruether, rabbi Abraham Heschel, Zen scholar D.T. Suzuki, and Vietnamese Buddhist monk Thich Nhat Hanh. The art of letter writing was for Merton an expression of intimacy. His letters reveal his affections for individuals, ideas, and express theological and political affection for humanity to be its best self. “I do not hesitate to confess,” wrote Merton to Sister Therese Lentfoehr in 1956, “that letters from my friends have always and will always mean a great deal to me” (vii).

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