In 2007 Joseph Ross and I edited a collection of poems titled Cut Loose the Body: An Anthology of Poems on Torture and Fernando Botero’s Abu Ghraib Paintings and hosted a reading when Botero’s collection was on display in Washington, D.C.
That same year, CIA officer John Kiriakou became the first CIA official to publicly confirm and detail the agency’s use of waterboarding as well as other torture. In January 2013, he was sentenced to two-and-a-half years in prison in Pennsylvania. Kiriakou was recently released to house arrest. He’s now living in the D.C.-area and has made appearances at the Institute for Policy Studies at Dupont Circle.
This week my friend Sarah, who directs Split This Rock, a collective of poetry and protest with an office at IPS, related this story:
I met John Kiriakou at IPS on Friday … I told him about Split This Rock and gave him a copy of Cut Loose the Body. Here’s what he wrote me yesterday: “Thank you very much for Cut Loose the Body, which I read on the way home. It was absolutely wonderful, and I hope there will be many more. My wife also read it and said the poems were wonderful and the two Botero sketches were breathtaking. Thanks again.”
It’s so gratifying to know that work done in good faith makes its way out into the world and finds the people it needs to find. Thank you Sarah — and thank you John for your service to your country. John Kiriakou, who is Greek Orthodox, spent his two-and-a-half years in prison serving in the chapel. And, in a total quirk of fate, the federal prison where Kiriakou spent his time was called FCI Loretto. It used to be a Catholic monastery. The Bureau of Prisons turned it into a “low-security prison” and converted the “monks’ bedrooms” into “prisoners’ rooms.”
Continue reading “John Kiriakou and ‘Cut Loose The Body’”
Joe Ross and I are very grateful to have our Cut Loose the Body: An Anthology of Poems on Torture and Fernando Botero’s Abu Ghraib Paintings mentioned in the U.S. Catholic Bishops’ study guide Torture is a Moral Issue. See the quote below and consider downloading the study guide:
Torture raced to the center of public attention in 2004 when startling photographs depicting prisoner abuse by American soldiers at the Abu Ghraib prison in Iraq were published and broadcast widely.
While our primary, immediate concern in this discussion guide is about the possible use of torture by the U.S. government, an organization known as the Torture Abolition and Survivor Support Coalition (TASSC) reminds us that torture currently is practiced by more than 150 governments of the world. Those who are tortured include the apolitical and the politicized, says TASSC. In chapter 4 of this discussion guide, we’ll listen to the voice of a survivor of torture who was taken captive because her work with poor children in Latin America was considered suspicious.
“We thought the word was gone.… We thought ‘torture’ belonged to a foreign language.… We were wrong,” write Rose Marie Berger and Joseph Ross, the editors of a book of poems and paintings about torture titled Cut Loose the Body (American University. Washington, D.C. 2007).
Is it surprising that in our third millennium torture has emerged as a matter of great public concern? Perhaps not, and we’ll discuss the reasons why as this chapter unfolds
It surely isn’t surprising either that Catholic leaders speak out about torture. Why? First, torture is a moral issue for the Church. Second, as a participant in its surrounding world, the Church wants to contribute to society in positive ways, by sharing insights and values related to the most pressing matters of the times.
More reviews on Cut Loose the Body: An Anthology of Poetry on Torture and Fernando Botero’s Abu Ghraib edited by Joseph Ross and myself. This one from Robert Giron over at Chez Robert‘s. There are still some copies of Cut Loose available through D.C. Poets Against the War.
Here in this short chapbook, we have a variety of poets who have spoken out against the injustices committed by civilized humans within our lifetime, yet Myra Skylar’s poem The Infinite Regress of War speaks to the history of influence:–
…Poet, if I put your words
inside my poem, have we not crossed over
into one another?
–For the import of this collection is to make the reader–yet sadly the ones who need to read this more than others will probably not read this–reflect and perhaps be moved to action to stop injustices from happening in this world which we must all share, regardless of cultural or political background.
Read the whole review here..